Review: Michael Ian Black, “Noted Expert” (EPIX)

Michael Ian Black opens his new stand-up special, Noted Expert (his third hour, and first for EPIX), by noting that you can tell it’s going to actually be special, then suggests kicking things off right with a montage of puppies licking his face. Almost on cue, things don’t go well. …

Review: Gary Gulman, “It’s About Time” (Netflix)

Perhaps nobody wears righteous incredulity as well or as humorously as Gary Gulman. Not indignation, mind you. Although as he says during a 24-minute story that forms the climax of his new hour on Netflix, It’s About Time, he can do righteous indignation like nobody’s business. The way Gulman stakes …

Review: Chris Hardwick, “Funcomfortable” (Comedy Central)

Despite the opening title sequence, and the comedian’s ubiquitous presence on Talking Dead, Chris Hardwick’s Funcomfortable is no horror movie. In his latest hour for Comedy Central — the network that also beams him into your eyeballs @midnight — Hardwick may have shed his nerdist handle on Twitter as his …

This Week in Kamau: W. Kamau Bell’s CNN series (“United Shades of America”) and Showtime stand-up special (“Semi-Prominent Negro”) both debut

W. Kamau Bell‘s second chance to make a big first impression on American audiences is off to a hot start. Literally, figuratively, metaphorically. His CNN series, United Shades of America, debuted Sunday night and closed the hour with the stand-up comedian standing face-to-hooded-face with a group of Ku Klux Klansmen …

Review: Nikki Glaser “Perfect” (Comedy Central)

Nikki Glaser opens her first Comedy Central hour striding backstage with complete poise, confidence, ready for what’s at hand, only to slip into the title credit. Perfect. Recorded before her breakthrough series Not Safe premiered on the network in February (“Perfect” also is what Glaser says over her series and …