Joan Rivers: Exit Laughing, on PBS (review)

Can we talk? There already just was and still is a great documentary, made just six years ago, that reminds us what it meant to be Joan Rivers. A Piece of Work. What Rivers meant to comedians and all of us, though, that’s the point of Exit Laughing, the first …

Review: Pee-wee’s Big Holiday, on Netflix

The cast and crew of Pee-wee’s Big Holiday held a big-screen premiere party at one of the biggest parties in America — Austin’s SXSW festival — on Thursday night, even though everyone everywhere could watch the first Pee-wee Herman movie in a quarter-century from the comfort of wherever thanks to …

Review: Neal Brennan, “3 Mics”

Neal Brennan knows it’s odd to give John Legend top billing as the presenting executive producer of his new show, 3 Mics, which officially opened its Off-Broadway run Thursday night at the Lynn Redgrave Theater (45 Bleecker). Brennan could poke fun at Legend with a zinger. He could tell a funny anecdote …

Review: Chris Gethard, “Career Suicide”

By most outward measurements, Chris Gethard‘s comedy career is great. A longtime favorite of both performers and audiences alike at the Upright Citizens Brigade Theatre in New York City, Gethard has taken his everything-and-everyone-is-welcome notion of a talk show from the UCB’s basement theater to Manhattan public-access TV to Fusion, where …

Review: Daniel Sloss takes “Dark” to America

Daniel Sloss opened the New York City run of his most recent one-man show, “Dark,” striding onstage with two full pints. Sloss sipped from both throughout his 98-minute performance; first from the pint of beer, and then, that finished, onto the pint of water. It could be a symbolic choice. …