by ⭐⭐⭐½
Lads of a certain age know who Keeley Hazell is. As her show’s title (based on her 2025 memoir) lays out, Keeley was a topless Page 3 model for The Sun tabloid in the late 2000s, and a cover model several times over for the lad mag FHM.
What most people don’t know is what happened after and since. This Fringe debut is Hazell’s chance to reclaim her own narrative. Quite literally, it turns out. Her stories and re-enactments open with her auditioning in 2019 for the part of Keeley on Ted Lasso, ostensibly written for her specifically by Jason Sudeikis (she had appeared in his 2014 big-screen sequel, Horrible Bosses 2) since the TV version of Keeley would be known for her modeling and seen dressing just like Hazell did at the time.
But we also flashback to 2009, when she fled London for Los Angeles, ditching her dangerous drug-dealing boyfriends and trading up(?) for hunky actors who may or may not have definitely cheated on her. She could’ve been a trad wife?! Instead, she moved back home. She could’ve been an Emmy nominee?! Instead, she lost out to a “nepo baby” and had to sit in a writers room where the writers pitched Hazell’s real-life trauma as a storyline for the TV Keeley. This time, Hazell stood up for herself and demanded to tell her own story (she has co-writign credit on season 3’s episode 8: “We’ll Never Have Paris”).
There are some laughs to be had, but this is not a funny show, nor is it meant to be. It’s about empowerment. It’s a story about unlikely feminism. And I’m glad she’s telling it.
Keeley Hazell: Everyone’s Seen My Tits plays Bunker Two at Pleasance Courtyard during the 2026 Edinburgh Fringe.
